Historia de Córdoba

Una visión de conjunto de los procesos y hechos que marcaron el camino del cristianismo desde la comunidad primitiva hasta la Iglesia imperial de finales de la edad antigua. Los temas tratados se escogen y formulan de acuerdo con la orientación habitual de los planes de estudio de las facultades de teología, y cada capítulo está redactado teniendo en cuenta el estado actual del consenso científico.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

"El libro que hoy sugerimos como publicación de interés revive de forma clara y sencilla, este ambiente cultural italiano del siglo XVIII donde incansables artistas, boquiabiertos viajeros y concienzudos estudiosos de viejas ruinas y nuevos hallazgos, todos ellos españoles, pues el libro estudia la presencia cultural española, se devanaban los sesos tratando de aprovechar al máximo el tiempo de estancia que tenían asignado siempre, a su parecer, escaso."(Web Librería Antes) Aristócratas insolventes, aventureros cosmopolitas, arqueólogos ilustrados y artistas canallescos reunidos en...

This study offers a profound study of Arrufat's play, using most recent critical trends concerning the performance aspect of the drama. It examines the genre of the drama and its relationship to the phenomenon of the Cuban Revolution, Arrufat as a Cuban playwright of the 60s and his re-writing of the Greek theme of the fratricidal fight in Aeschylus' Seven Against Thebes. Also contains a recent interview with Arrufat in which he describes the social circumstances surrounding the play and some of his classical re-writing techniques.