Easy Rider (Buscando mi destino), Dennis Hopper (1969)

Since the Foundation of The Hispanic Society of America in 1904 by Archer M. Huntington (1870-1955), there has never been an artist so closely related to his famous art collection as Joaquin Sorolla y Bastida (1863-1923). The doors of the Hispanic society had only been open for only a few months when Huntington discovered the work of Sorolla, who at the time was exhibiting at Grafton Galleries. Huntington had found in Sorolla an artist that shared the same love for Spain, its villages and habits; that is why he began organizing the exhibition that would take place a year later. They worked...

El estudio que recoge este texto aborda el problema de las construcciones iconográficas de los niños y las niñas entendidas como un complejo semiótico mixto que participa de los valores formales del arte y de las reglas que determinan la coherencia interna debida a todo lenguaje. La intención de la autora ha sido ofrecer un modelo de análisis, un instrumento que permita penetrar en la complejidad del sistema, tanto en su lógica estructural como en la hermenéutica de los significados. Todo ello desde un planteamiento holístico que se presenta como alternativa a los distintos estudios...

Por duro y frio que pueda ser el invierno, siempre estalla la luz que anuncia con aromas de azahar la primavera. Siempre es tiempo de amar.

Number 13 of the series gets together 2 thesis submitted for the degree of the Masters in History and Theory of Art and Architecture, focused on the relationship between the political discourse and how Columbian art was critically interpreted in different epochs. Lleras examines the state involvement in art through the works of Carlos Correa and Pedro Nel Gómez amongst others while Jaramillo documents the plastic language used by Marco Ospina, Enrique Grau, and Alejandro Obregón amongst others who incorporated European avant-garde elements to become pioneer artists of modernism in Colombia.