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Evan, Alena y Flavio continúan su vida sin Kanet, todo parece indicar que jamás volverán a verlo, pero algo importante surge ocasionando una visita inesperada, de parte de la gran “Dragona Carmín” Mejor conocida como el fuego de Anturio, quien les demostrará porque en las eras medievales la gente temía pronunciar su gran nombre. *Autora y Escritora: Miriam Aldara Chapela Zepeda *Diseño de Portada: Ana Paula Chapela Zepeda *Editora Adaptadora: Areli Mariana Chapela Zepeda Sigue nuestras páginas con todos los títulos!! libros3ch.tumblr.com https://www.behance.net/anapauchapela

El color contrastado y violento de sus cuadros, nos introduce en imagenes cargadas de alusiones figurativas que, con exaltadas acentos, componen escenarios de humoristicas ocurrencias, antropomorfismos y constantes metamorfosis.

Aimed at students not originally from Spain, this reference offers an overview of Spanish art history, emphasizing those periods and artists that have been major influences in universal art. The pages in this book summarize and discuss the prehistory and history of Spanish art from Altamira to the end of the 20th century. With a perspective that avoids the academic and seeks clarity, this book can serve anyone interested in Spanish art, for it explains its nuances with a rigor and simplicity that facilitate and inspire an enjoyment of its beauty. Dirigido a estudiantes no españoles, esta...

Number 13 of the series gets together 2 thesis submitted for the degree of the Masters in History and Theory of Art and Architecture, focused on the relationship between the political discourse and how Columbian art was critically interpreted in different epochs. Lleras examines the state involvement in art through the works of Carlos Correa and Pedro Nel Gómez amongst others while Jaramillo documents the plastic language used by Marco Ospina, Enrique Grau, and Alejandro Obregón amongst others who incorporated European avant-garde elements to become pioneer artists of modernism in Colombia.